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LSAT Explanations › PrepTest 159 › Reading Comprehension › Section 2 › Passage 1

LSAT 159, Section 2, RC Passage 1, Torchy Brown

PT159.S2.P1

LSAT Preptest 159 explanations

RC Passage 1 Explanation

PASSAGE TEXT: The 1937-1938 comic strip Torchy Brown, in "Dixie to Harlem" by Jackie Ormes …

Paragraph Summaries

  1. Torchy Brown was the first comic strip written and drawn by an African American woman (Ormes). It follows Torchy’s move from the rural South to a career at the Cotton Club in NYC.
  2. Her journey is presented like a fairy tale: she leaves an idealized Southern home and quickly becomes a star who mingles with famous musicians.
  3. But the strip highlights real cultural issues by celebrating Black performers’ achievements and links comic-strip creativity to the improvisation of jazz and tap.
  4. Ormes balances Torchy’s successes with the realities of segregation and danger, using authentic situations to show how courage is required and offering readers subtle social commentary.

Analysis

This passage shows how Ormes’ comic strip participates in and contributes to African American cultural expression. In the first paragraph, we find out that Ormes was likely the first African American woman to write and draw a comic strip, but there’s also other factors that make the strip unique. It wasn’t just entertainment, it also served as a celebration of Black professional achievement and used elements from other creative forms like swing and tap.

Also, despite the idealistic narrative, the author describes how Ormes kept real social conditions and issues visible.

Overall, the tone is generally appreciative and explanatory. There’s no real arguments being made here. It’s trying to show the cultural importance of Torchy Brown.

↑ Return to PT 159
Next Question

Section 2 · Reading Comprehension

Passage 1: Torchy Brown

Q1–Q6
  • Analysis
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6

Passage 2: Microfinance Organizations

ComparativeQ7–Q14
  • Analysis
  • 7
  • 8
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14

Passage 3: Dark Energy

Q15–Q21
  • Analysis
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21

Passage 4: Ownership Theories

Q22–Q27
  • Analysis
  • 22
  • 23
  • 24
  • 25
  • 26
  • 27

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